A Home For Every Dancer

Ballet Co.Laboratory strives to be an artistic home for everyone. We encourage discovery over fear and foster originality over stereotypes. A diverse representation of cultural, racial, socioeconomic, and gender identities is essential to our art form. Ballet Co.Laboratory recognizes that it is our responsibility to create a community that embodies equity and inclusion through its behaviors, policies, and practices. In doing so, we foster awareness, acceptance, and accessibility throughout our organization and in the communities we serve. We stand together as artists, students, and staff to uphold these values every day as we continue learning and growing.


Ballet Co.Laboratory is a professional ballet company and school located in Saint Paul, MN. Founded in 2018, our organization honors the foundations of classical ballet while moving the art form forward by collaborating with the community and advancing equity in the art form.

All programs and activities at Ballet Co.Laboratory fall within one of our three artistic principals to Co.Create, Co.Develop, and Co.Inspire.

CO.CREATE
The Company of Ballet Co.Laboratory includes 10 professional dancers who perform classical and contemporary ballets highlighting athleticism, storytelling, and unique collaborations. Ballet Co.Laboratory is committed to creating new ballet works that expand on the many stories and life experiences that have not yet been shared on a major stage. Each season, the organization creates five productions and performs for 4,500 audience members throughout the Twin Cities.

CO.DEVELOP
Learning the art of ballet and dance is a life-long journey, whether one is pursuing a professional career or simply the freedom to move. For this reason, Ballet Co.Laboratory offers ballet and movement classes for all ages, abilities, and backgrounds. Throughout the 2020/21 school year, 195 students ranging in ages 3 - 87 will explore the art of dance through a variety of classes. Both dancers in our pre-professional and drop-in programs are invited to perform alongside Company dancers in two productions each season.

CO.INSPIRE
A crucial component of re-imagining ballet for the 21st-century is working to ensure ballet continues to expand in diversity and accessibility. Ballet Co.Laboratory invests in this work by bringing dance performances and workshops into underrepresented communities throughout Minnesota. Last season, 3,800 individuals experienced a free performance and/or dance workshop through this programming.


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MISSION
Ballet Co.Laboratory works to reimagine how ballet is taught, created, and presented.

VISION
To use the universal language and transformative power of dance to connect humanity, nurture artists, and inspire our community.

VALUES

Collaboration
Unique connections, partnerships, and works with the input of diverse perspectives and skillsets to further the mission of Ballet Co.Laboratory and the future of our art form.

Evolution
Consistently challenging preconceived notions to bring ballet into the 21st-century while developing a new standard for the art form.

Inclusion
Providing a welcoming environment that embraces all identities by actively listening to different viewpoints, broadening perspectives, and expanding access to programming and audiences.

Excellence
Holding one's self to the highest standard in every aspect of the organization, working to constantly learn, improve, and refine.

 
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Zoé Emilie Henrot
Artistic Director & Founder

BCL Artistic Director Zoé Henrot (She/Her) received her early dance training at Boulder Ballet, becoming an Apprentice with the Company in 2007. In addition to her training in Boulder, Henrot trained with Kansas City Ballet, American Ballet Theatre, and Joffrey Ballet. Zoé graduated summa cum laude from Mount Holyoke College in 2012 with a double major in Dance and Biological Sciences. She has worked with prominent choreographers such as Peter Davison, Joseph Morrissey, Kinsun Chan, and Diane Coburn-Bruning who have very much influenced her artistry and choreography.

In 2013, Henrot relocated to Minnesota to serve as the Artistic Director of St. Paul Ballet. In August 2018, Henrot founded Ballet Co.Laboratory. The School and Company is now about to enter its fourth season. In her 9 years of experience as an Artistic Director and choreographer, Zoé has created over ten original works and six full length narrative ballets. Her mission is to diversify ballet narratives and repertoire.

Critics have said, “Henrot has already proved herself as a choreographer to watch, offering a contemporary and often feminist take on classic ballet” and the Company has been praised as being “founded on tenets of collaboration and exploration, while also pushing against tropes of what ballet is supposed to be”.

In her free time, Zoé enjoys doing home improvement projects with her wife Martha and cuddling with her cats Milou, Bradley and Frederick.


rachel koep
managing director

Rachel Koep (She/Her) joined BCL as Managing Director in August 2019. Koep has melded her lifelong passion for dance into a career of uplifting flagship performing arts organizations in the Twin Cities. She previously served as Co-Executive Leader and Director of Development at The Cowles Center for Dance and the Performing Arts where she provided the strategic vision and direction for the overall operations of the Midwest’s largest nonprofit dance and education campus. Prior to her position at The Cowles Center, Koep served as the Senior Manager of Individual Giving at the Tony® Award-winning Children’s Theatre Company.

Koep holds a Bachelor of Science degree in Mass Communications and a Minor in Dance Performance. She received her early dance training at Stage Door of Performing Arts (now Northern Force Dance Company) studying ballet under the direction of Ted Kivitt and performing contemporary and jazz works by Mia Michaels, Marguerite Derricks, and Liz Imperio.

In the News

 

Ballet co.Laboratory 2022/23 ANNUAL REPORT

October 1, 2023

Ballet Co.Laboratory would like to share our heartfelt thanks for our generous 2022/23 supporters. As you review our Report to the Community, we hope you will reflect on the great impact our donor's have made on our community of professional artists, students, and outreach participants. 

 

Photo by Pixel Dust Photography

New ballet show honors women's creativity and resilience through their evolving relationship to the kitchen

Fox 9
March 26, 2023

St. Paul's Ballet Co. Labratory's new show, "Kitchen Dances," features performances in a rebuilt "Frankfurt Kitchen," an efficient kitchen plan developed by a female architect in 1926 to give women more time outside the home.

 

Photo by Pixel Dust Photography

‘the snow queen’ review: Hans Christian andersen’s magical tale of friendship revisited

Star Tribune
Sheila Regan
December 7, 2022

In addition to the enthusiasm the company sparks in fans, it showed its gift for originality. Rather than producing yet another version of “The Nutcracker” for the holiday season, it veered, setting a Hans Christian Andersen tale to music by British composer Dame Ethel Smyth.

 

Photo by Caroline Yang

Ballet Co.Laboratoty 2021/22 Annual Report

September 1, 2022

As the curtain rises on Ballet Co.Laboratory's 5th anniversary, we'd like to take a moment to thank our donors for their gracious support throughout our 2021/22 season. Last season was noteworthy in so many ways and we are delighted to present you with the results of our 4th season in our 2021/22 Report to the Community.

 

Photo by Kendra Buro

‘Lunar Lullaby’ re-creates classic children’s book ‘goodnight moon’ through dance

Pioneer Press
Ross Raihala
February 17, 2022

The idea is to bring the book to life through dance for a young audience. That said, Waterbury thinks teens and adults will relate as well, to nostalgia for the source material or through the music, which includes jazz and popular hits from Frank Sinatra, Van Morrison, Doris Day, Creedence Clearwater Revival and Ella Fitzgerald.

 

Photo by Karin Lynn Photography

When ‘Nutcracker’ meets ‘wonderland', a new friendship forms amid the wonders, mysteries

Star Tribune
Sheila Regan
December, 2021

The concept of Ballet Co.Laboratory's production changed up the usual Nutcracker fare taken up by local ballet companies all over. It’s popularity is enduring for its score, the imaginative world it creates and perhaps because the ballet has become a kind of proxy recital for companies that have attached educational programs, where young students perform with pro dancers.

 

Ballet Co.laboratory expansion includes new theater venue

The St. Paul Voice
Jake Spitzack
December, 2021

"'The theater will give us the opportunity to present on a more regular basis and let the community see what we have to offer,” said Artistic Director Zoé Henrot. “It will also give other small to mid-size performing arts organizations an affordable 200-seat venue to share their art in.'"

 

Photo by Jayme Halbritter

In a first, American Ballet Theater dancers set to rock Minnesota's Arboretum

Star Tribune
Rohan Preston
July 8, 2021

Anna Roehr, school studio manager at St. Paul-based Ballet Co.Laboratory, is bringing nine youngsters to one workshop.

There are not many moments when a dancer in Minnesota gets in-person lessons from an experienced ABT dancer, Roehr said.

"We've had virtual classes, over 1,200 of those, and outdoor performances to stay engaged. And we can teach and even make progress on Zoom. But just being in the same space, being able to see one of the bigger companies in the U.S. and the world, and taking classes physically together — that's meaningful to me and my students, as well," she added.

 
Photo: Karin Rice-Duncanson

Photo: Karin Rice-Duncanson

Ballet Co.Laboratory’s unique business model has kept its dancers securely employed throughout the pandemic

Pointe Magazine
Kyra Laubacher
March 22, 2021

“As a company, even though we dance together beautifully, we have different body types and backgrounds, and we all identify very differently. That's what allows us to tell all these diverse narratives that haven't been told authentically yet. We always give a nod to what came before us—we wouldn't be here without our history—but we do reimagine that rep.”

 
Photo: Rachel Koep

Photo: Rachel Koep

Local ballet company pivoted. Now see their pirouettes.

Pioneer Press
Kathy Berdan
March 17, 2021

When the pandemic knocked performing arts flat a year ago, it didn’t take Ballet Co.Laboratory long to get back on its toes.

Four days after the March 13, 2020, COVID-19 shutdown, Ballet Co.Laboratory was teaching classes via Zoom. Even though Co.Lab founder and artistic director Zoe Henrot says she’d never used the video conferencing technology before.

 
Photo: Alice Gebura

Photo: Alice Gebura

Tiny Balcony Concerts bring huge joy in Ramsey Hill neighborhood

Pioneer Press
Kathy Berdan
September 29, 2020

“It’s just a little moment of joy,” Beeman said. They’ve seen Mettenbrink perform with a cellist, accordionist and neighbor Dan Chouinard and dancer Zoe Henrot, founder and artistic director of St. Paul’s Ballet Co.Laboratory. They’ve been there for Tango Tuesdays, the last of which will be Tuesday, Sept. 29.

Henrot and some of the dancers from her company will be back for the finale. In an email, Henrot said, “Emilia is collaborating with the entire Ballet Co.Laboratory Company and some of our advanced students. We will have 16 swans dancing in total!”

 
Violinist Emilia Mettenbrink and pianist Dan Chouinard. Courtesy of the artist

Violinist Emilia Mettenbrink and pianist Dan Chouinard. Courtesy of the artist

Violinist Emilia Mettenbrink's Tiny Balcony Concerts take a bow on Oct. 2

Classical Music Features MPR
Bill Ward
September 29, 2020

As the corner of Portland Avenue and Kent Street became something of a musical mecca, Mettenbrink reached out to her fellow yoga instructor, Ballet Co.Laboratory artistic director Zoé Henrot, and soon enough there were occasional dancers on the sidewalk in front of the house.

The crowds, sitting across the street on steps or chairs in front of St. John the Evangelist Episcopal Church, steadily grew by the dozens. Chouinard estimated that 50 or 60 people watched when Henrot performed "The Dying Swan" from Camille Saint-Saëns' Carnival of the Animals.

 
Photo: Erik Saulitis Photography

Photo: Erik Saulitis Photography

Twin Cities dance community puts its toe into uncharted territory this fall

Sheila Regan
September 17, 2020

Ballet Co-Laboratory will take things outdoors for its “Drive-In Forward” fundraiser Oct. 24, with music streamed into vehicles.

 
Photo: Shelly Mossman

Photo: Shelly Mossman

Cowles announces 2020-21 season

Pamela Espeland
September 16, 2020

The Cowles Center has announced a 2020-21 season that honors earlier commitments and looks toward the future, when every performance might be a hybrid.

Called “Take Back the Stage,” it will feature artists who were scheduled to perform in the Spring 2020 season but never got the chance. Most performances will be available two ways: live and in person on the Goodale Stage (with capacity limits and other safety protocols in place) and livestreamed.

 
Photo: courtesy of @captures.by.cori 

Photo: courtesy of @captures.by.cori

PIONEER PRESS | FALL ARTS GUIDE

Kathy Berdan
September 12, 2020

The dance company kicks off its 2020-21 season with “Drive-In Forward” on Oct. 24. Guests will cruise over to the BCL parking lot in St. Paul for an afternoon of dance and other amusements from the comfort (and safety) of their own vehicles. Music will be streamed to guests’ car radios while dancers perform live on an outdoor stage. The season will continue with a dance film for the holidays and the premiere of the delayed “Freddie — Break Free,” a contemporary rock ballet exploring the life of Queen’s Freddie Mercury. For info on the season of the drive-in event, go to balletcolaboratory.org.

 
Photo: Elizabeth Flores

Photo: Elizabeth Flores

'Nutcracker' Mouse/Rat Queens from 3 different productions reflect on the role

Michelle Ludwig - Ballet Co.Laboratory’s “Nutcracker in Wonderland”

November 24, 2019

In Ballet Co.Laboratory’s version of the Nutcracker, there is no Nutcracker. “It’s only the rats, and they represent all of Clara’s fears,” Rat Queen Michelle Ludwig said. “I’m her inner demon.” In this version, there’s a Rat Queen and a Rat King, played by TU Dance member Christian Warner, with whom Ludwig does some acrobatic partnering. The Rats represent all the things that are keeping Clara from living her life and taking chances. When she escapes them, “it’s a big deal,” Ludwig said. “It’s her transformation.” In the show, Clara goes through a door to Wonderland, where she meets characters from Lewis Carroll’s “Alice in Wonderland”— a mashup of 19th-century children’s stories. The idea for the concept, Ludwig said, was to differentiate Ballet Co.Laboratory as a company, in addition to avoiding cultural stereotypes in the second act. Ludwig loves returning to the Nutcracker each season.

 
Photo: Karin Rice

Photo: Karin Rice

Holiday Arts Guide 2019: It’s not all

Nutcracker, but there’s plenty of that tradition ... and tap on tap

Sunday, November 24, 2019

 
Photo: Angela Sterling, Boston Ballet

Photo: Angela Sterling, Boston Ballet

POINTE MAGAZINE

The Second Annual Great "Nutcracker" Roundup: 2019 Edition

November 22, 2019